The Secret Heart by Erin Satie

The-Secret-Heart-Web-Medium_final_2

I started writing THE SECRET HEART during a brief jiu jitsu phase. It didn’t last very long–a year or two, and then I moved away from a good studio–but I was pretty passionate while it lasted.
I was not, however, very good at jiu jitsu.
I gained skill, of course. But skill can only take you so far. In an evenly matched fight–ostensibly even; me against someone with more or less my ability, more or less my weight–I’d almost always be the one to tap out.
There often came a moment, a decisive moment, when things were going badly and I’d gotten myself into a dangerous position and I knew I’d have to fight tooth and nail to turn things around…or slap the mat and end the round.
And I saw the same moment in my opponents when they were about to lose. When they’d either give up or dig deep and find that extra reserve of strength and determination it took to regain the advantage.
And I started to wonder: where does that extra reserve come from? How do tap into that part of yourself that is wild and feral and refuses to submit?
Once I started asking myself that question, the character of Adam began to take shape. He’s the hero of THE SECRET HEART, an earl with a secret passion for bare-knuckled boxing.
But of course he couldn’t exist on his own. And so the next question was: what sort of heroine would be his exact opposite? Someone who could really be the love of his life and yet stand at the other side of a seemingly unbridgeable gap.
That’s how I came up with Caro. In the excerpt that follows this post, you’ll see a little bit of what makes her such a challenge for Adam. She dances a role from a ballet that was very popular in the year that THE SECRET HEART is set, which served as a touchstone for her character for me.
THE SECRET HEART excerpt
Chapter One

Sussex, England

Autumn, 1838

Midnight struck as Caroline Small crept through the moonlit corridor. A chorus of bongs and chimes sent her ducking into the shadow of a tall clock. Her skull vibrated with the noise.

Imagining the maintenance required to synchronize so many clocks made her shudder—did the Duke of Hastings employ a servant just to wind his clocks? All day, every day, in an endless circuit? But then, it stood to reason that the Duke would find a way to broadcast his importance even in the dark of night.

Not that she’d ever met him. Hastings spent most of his time in London and rarely visited Irongate, the seat of his duchy. Caro’s invitation had come from the old Duke’s ward and niece, Daphne.

Silence settled over the house again. Caro brushed the dust from her wrapper and resumed her slow progress. The ballroom, when she finally reached it, was bigger than the entirety of Caro’s London home. Decorative plasterwork framed tiers of arched windows, sculpted whorls and curlicues that shone dully in the moonlight. Gold leaf, probably, though she wouldn’t be sure until she saw them in the light. Overhead, thousands of crystal droplets dangled from three massive chandeliers. The whole room smelled soothingly of beeswax.

Her foot slipped on the glossy floor as she advanced, allowing her to pinpoint the odor’s source: a fresh coat of polish, applied with a heavy hand.

Too slick to dance on.

She tiptoed up to one of the French doors set into the west-facing wall, positioned to squeeze every last drop of sunset into the room. She flipped the latch and advanced onto a wide terrace. Beyond lay a garden in the French style, all paved walkways and bushes pruned into rigid geometric shapes.

All the windows on this side of the building were dark. Even the servants had cleared away. And a waist-high balustrade of white marble circled the terrace. It would serve her as a barre.

Caro lit the lamp she’d carried down from her bedroom and dropped her wrapper. Beneath she wore her usual practice uniform, a bodice and knee-length skirt of white muslin with a black sash tied at the waist. Her bare arms prickled with gooseflesh, but she wouldn’t feel the cold in a few minutes.

Her instructor, Giselle, always told her ballerinas pray with their legs. If so, An Elementary Treatise upon the Theory and Practice of the Art of Dancing was their Bible. Every obstacle is surmounted by perseverance and reiterated exercise, wrote the great instructor Carlo Blasis. Caro dropped into a plié, heels on the ground, bending at the knees, legs turned out. Remain not, therefore, twenty-four hours without practicing. It had taken almost two days to reach Irongate. She couldn’t let her first night here pass without finding a place to dance.

Forty-eight pliés, and then she moved on to the grands battements. For these, she extended her leg, raised it as high as her hip, and beat it quickly. All the lessons he takes, when widely separated one from the other, can be of no service toward making him a good dancer; and are little else than a loss of so much time. After sixty grands battements on each leg, she stepped away from her makeshift barre and repeated the whole routine.

 Lots of girls hated the barre exercises. Giselle said the talented ones often tried to avoid them. Caro loved them. She loved the repetition. She loved the precision. She loved the feel of her body doing what she told it, when she told it, how she told it. Obedient. With her leg turned out, her arm bent just so, her head turned up, she felt like she’d transcended her own flesh.

Which was why, after she finished her exercises, she rehearsed her favorite passage from La Sylphide. She became the sylph, a soulless air spirit, pantomiming her erratic, teasing advances toward a besotted woodsman with skills built from the most earthbound qualities of all: discipline and perseverance.

By the time she finished, sweat dampened the hair at her temples and bloomed on her bodice. She gulped air. Her legs trembled, and she swayed like a sailor in a tempest as she skirted the balustrade and stumbled down the steps onto a gravel path leading to a three-tiered fountain.

Human again.

Caro drank, reaching out for more. Water filled her cupped palms, spilled over, cool and plentiful. Her cheeks were so hot. She could heat a small orphanage through a mild winter with the body heat she was generating.

“You must be Miss Small.”

The clipped, aristocratic voice sent her whirling around, choking a little as she failed to stifle a shriek. She saw a heavily muscled man dressed in warm flannels, well bundled despite the mild autumn weather, lips thickened and split, one eye swollen shut.

Two choices: one, she could scream. Someone would come running, maybe even in time to save her from being violated. If she were lucky, the scream might even frighten her attacker away. But he didn’t look like the sort of man to frighten easily. He did appear strong enough to throw her over his shoulder and carry her away before help arrived.

Her second choice? Run. Just run.

The stranger had a broad chest, too solid to be called lean, his legs thick as tree trunks. Beautifully made, impressive, but not tall—though he still towered over her. Fine male specimens of his kind couldn’t run with any speed. If she dug into her reserves, she’d make it through the doors before he’d gone two paces.

“I think you have the advantage of me, Mr.…” Caro backed away toward the gap in the balustrade as she spoke, angling for a straight shot at the door.

“You don’t recognize me?” He spoke in a tone of mild curiosity, not affront, in the purest accent she’d ever heard.

A prickle of unease raised gooseflesh along Caro’s arms.

A stray moonbeam skated along his pale, sweat-dampened hair. According to the portraits she’d seen on the walls, the dukes of Hastings had for generations boasted uniform, and unusual, coloring—blond hair and light brown eyes. What if this ragged, beat-up figure of a man were a member of the family?

What if he lived at Irongate?

“I’m sorry, I don’t.” Caro smiled nervously. “You have my permission to introduce yourself.”

She took another step toward the door, moving as lightly as she could, but the gravel crunched beneath her heel.

The stranger’s gaze dropped straight to her feet. “Running won’t do you any good.”

“Well, of course you’d say that,” Caro snapped. “I think I’ll take my chances.”

To her surprise, he smiled. Not much—his mouth was too swollen to stretch. Even the attempt opened the split in his bottom lip and sent a thread of fresh blood dribbling down his chin.

Caro’s stomach turned, and she shuddered.

“Go on, then.” He scowled. “Go back to your room. Lock the door. In future, try to remember that rules are made for a reason. Young ladies who stay in their rooms at night don’t have to worry about encountering bloody brutes in a dark garden.”

She couldn’t tell if terror or disgust kept her guts liquid, only that some devil had decanted strong liquor into her belly, and it would serve her as fuel. But his last sentence, the unabashedbitterness of it, gave her pause.

She tipped her head to the side. Softened her voice a bit. “Do you live here?”

He only glared, and in the silence she heard his labored breathing. Each inhale quick and shallow, then a catch before the slow exhale. He wasn’t winded. He was in pain.

Of course he was in pain. He looked like he’d been pulped.

He took a single, deliberate step toward her. And then another.

Her pity fled as quickly as it had come. She forced steel into the exhausted, stinging jelly of her legs and sprinted for the door. She flew across the gravel and took the stairs in a single bound.

Then tripped over the oil lamp she’d left aglow on the terrace. She twisted as she fell and landed on her side, but the impact still knocked the wind out of her. She gasped, sucking air faster than her lungs would take it, until her breaths settled back into a regular rhythm. Oh, she’d ache in the morning.

A shadow, a deepening of the blackness all around her, startled her. The stranger. He’d followed her up onto the terrace.

He was even harder to look at from up close. Pinpricks of blood welled in the raw skin of his forehead and cheeks. Black blood ringed the inside of his nostrils.

“Are you all right?” he asked.

She nodded.

He bent to pick up the lamp—the glass shade had cracked, but it hadn’t shattered or leaked. “Lucky little fool,” he muttered, then held out his hand.

It was a big hand, with thick, stubby fingers and bulging, reddened knuckles. She cringed away from it and, before he could get any closer, scrambled to her feet and through the open French door. She closed it, flipped the lock, and ran to the safety of her room.

***
If you’d like to read more, THE SECRET HEART is available right now.
I’m still working on making the book available at other retailers, but it will happen soon.
Thanks for reading!
Erin Satie.

Remembering West Africa by Vanessa Kier

WARDisruption_200x300_2If you follow the news, West Africa seems to be an inherently dangerous place. Between Ebola and various rebel groups, it’s not a place most foreigners would want to visit. But the West African country I lived in during the late 1990’s was a peaceful, relatively safe place and I have many fond memories. Someday, I hope to return.

Here are a few of my memories:

What I remember above all else is the generosity of the people. Despite living in what most Americans would consider poverty, the West Africans I met laughed a lot and had a love of life that I admired. They also liked to tease.

The wild beauty of the country is something I’m using in my next series. It’s humbling to stand in a field at night, with no artificial lights for miles, staring up at a thick blanket of stars that appears so close you should be able to touch it. Picking my way through village streets with only lantern light to guide me over the uneven terrain made me realize why fire draws us on a primitive level.

Although vendors displayed piles of used Western clothing at the market, for my business clothes I paid to have dresses made by a seamstress. It seemed a luxury, but this was simply the local custom for both men and women.

My biggest concern was staying healthy. Malaria was a threat mitigated by daily anti-malarial medicine, but despite boiling and filtering my water I still ended up with both an intestinal bacterial infection and intestinal parasites. We called the parasites our tiny pets.

For local transportation I walked, rode my bicycle, or occasionally hitched a ride on the back of a motorcycle. Traveling to another town meant riding in the back of a pickup truck with a canvas canopy overhead and two benches lining the sides so it could serve as a public bus. To get to the other end of the country, I rode a public coach bus with the aisles clogged with sacks of yams or other produce.

The overwhelming heat was something I quickly became accustomed to. The region I lived in was dry, with little humidity except in the rainy season. With temperatures routinely over 100F for months at a time, it got to the point that any temperature below 80F felt cold. Just like the locals, I found myself piling on coats and layers as the temperature dropped into the chilly 70’s!

Ever since I left West Africa I’ve wanted to set a story there. But I had to wait for the right idea to take root. Eventually, the idea for WAR popped into my head. WAR stands for West African Rangers, an underground resistance organization. The world in which WAR operates is a fictionalized version of West Africa. I spent quite a lot of time researching the history and demographics of the region before I decided on which countries to merge and which countries to split in my new reality. I even drew a map by hand that displays the new countries and their borders.

In this version of West Africa, a vicious group of rebels have emerged, calling themselves the African Freedom Army. Their stated intent is to rid West Africa of all foreign influence and to build West Africa into a stronger, more profitable region based solely on the intellectual and physical strength of its people. Their underlying goal, however, is to turn the region into a staging ground for terrorist attacks against the rest of the world. As AFA grows in power and takes more territory, the corrupt and inefficient governments of West Africa prove unable to successfully defend themselves. With the U.S. and other powers distracted by events in the Middle East and Asia, West Africa is on its own.

WAR is created by a former government official who understands that governments alone are not going to be able to save the region from falling to the rebels. WAR recruits those people brave enough to stand up to the rebels. Military personnel, doctors, journalists, and so forth, these supporters contribute to WAR the best they can, turning it into a sort of Robin Hood organization that offers help to the oppressed while fighting a guerrilla war against the rebels. WAR has also attracted a great number of expats to its ranks, particularly foreign soldiers who see this region as a strategically key spot that must remain free and democratic in order to protect the security of the rest of the world. Most of the foreigners who have aligned with WAR also have personal reasons for staying in West Africa and joining the fight.

This setup allows me to write a multi-national cast. The hero and heroine of the first book are both American. The hero of the second book is Scottish. The rest of the current cast includes West Africans, a South African, an Aussie, a Swede, and of course, more Americans.

I’m so excited to be finally able to share this amazing world with my readers!

The first book in this series is WAR: Disruption. Here’s the blurb:

He’s been trained for war. No one prepared him for love.

Black ops soldier Max Lansing has twelve days to stop an international arms dealer from recovering a missing weapon of mass destruction and selling it to a vicious group of West African rebels. He doesn’t have time to play babysitter to former ballerina Emily Iwasaki, who’s on a dance tour to raise money for war orphans. But when rebels attack the tour group, Max steps in and saves her. As the days tick down to the arms deal, Max and Emily race through the jungle ahead of the rebels. Keeping Emily safe is messing with Max’s timeline, but when it comes down to saving the day or saving the girl, there’s really only one choice.

WAR: Disruption is available for preorder at the following retailers. The official release date is December 15, 2014.

iBooks:

https://itunes.apple.com/us/book/war-disruption/id938493003?mt=11&uo=4&at=11lMGZ

 Kobo:

http://click.linksynergy.com/fs-bin/click?id=yPsso8k62Zg&subid=&offerid=314164.1&type=10&tmpid=9310&RD_PARM1=http%3A%2F%2Fstore.kobobooks.com%2Fen-US%2Febook%2Fwar-disruption

Amazon US:

http://www.amazon.com/gp/product/B00PCYLP12/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00PCYLP12&linkCode=as2&tag=vanekier-20&linkId=Y6PU6SPY3XWLFKFP

Amazon UK:

http://www.amazon.co.uk/WAR-Disruption-Book-1-ebook/dp/B00PCYLP12/ref=sr_1_1?ie=UTF8&qid=1415728211&sr=8-1&keywords=war%3A+Disruption

Bio

Vanessa_Kier_Author_Photo_2Vanessa Kier spends way too much time thinking up ways she can torture her characters. A worst-case scenario thinker, she’s been creating stories in her head since childhood. Now she’s found her niche in writing romantic thrillers that combine intense emotion with action-packed plots. The author of six books in The Surgical Strike Unit series about a privately run special operations group, she has set her new series WAR in West Africa, where she lived for a time.

When she’s not writing, listening to music, or playing puzzle games on her mobile device, Vanessa writes the occasional Tech Talk column for her local RWA chapter’s newsletter and takes long hikes in the nearby hills.

For cover reveals, advanced excerpts, and other exclusive content sign up for her newsletter here http://eepurl.com/ssAbv. To learn more about Vanessa please visit her website www.vanessakier.com. She loves to hear from readers. You can also find her on Twitter https://twitter.com/VanessaKier or Facebook https://www.facebook.com/vanessakierauthor.

Ghosts of Christmas Past by Jessica Aspen

GhostsofChristmasPast_2What do ghosts have to do with Christmas? A lot, if you are interested in contemporary Gothic romance and paranormal romance, like me. I was raised on Gothic stories and I’ve read it all, from the classic romances of Phyllis Whitney to the Victorian ghost stories like, THE TURN OF THE SCREW. How could I not want to mix them together?

In my latest book, GHOSTS OF CHRISTMAS PAST, I combined the holiday season with a haunted house. In fact, this is the first of a series of haunted holiday romances, starting with a Christmas romance and covering all the holidays through the year. I really wanted to do something different for the holidays and I’ve always wanted to write a ghost story. I combined the two and Haunted Holidays was born.

If you like short cotemporary novels with a fast suspense feel, and love Christmas but want something different, then GHOSTS OF CHRISTMAS PAST is for you. I hope you enjoy it. To spread the holiday cheer I’m giving away an e-copy to one lucky winner.

 Ghosts of Christmas Past

 Jen MacNamara flees the Christmas wedding of her best friend and cheating fiancé and runs to the country to spend the holiday alone. It’s the perfect plan, until her unexpectedly sexy neighbor and landlord, Nate Pierce, insists on bringing the holiday to her—complete with a Christmas tree, hot chocolate, and an unexpected kiss.

 And that’s not Jen’s only problem.

 The cozy country farmhouse is already occupied by something evil. Now Jen’s nights are spent wrapped in sensual dreams of a past life, and her days growing closer to Nate as they solve the mystery of the malevolent ghost that haunts not only the house, but also wants Jen dead.

 Dare to discover Jessica Aspen’s sexy, new adult, contemporary, Gothic romance, today.

 Available at:  Amazon, Barnes and NobleKoboIbooksAllRomanceEbooks

Add Ghosts of Christmas Past to your Goodreads shelf.

 Ebook ISBN: 978-0-9899558-3-6

Print ISBN-13: 978-1503039636

ISBN-10: 1503039633

  • ASIN:B00MIEB294

Date ebook Published 8/7/14

Date Print book published:

Word count 42,469

#pages 138

Available on Amazon, Barnes and Noble, Kobo, Ibooks and AllRomance E-books

Add to your Goodreads shelf.

Goodreads https://www.goodreads.com/book/show/22885908-ghosts-of-christmas-past

Amazon http://amzn.com/B00MIEB294

Barnes and Noble  http://www.barnesandnoble.com/w/ghosts-of-christmas-past-jessica-aspen/1120081837?ean=2940046275964

Kobo http://store.kobobooks.com/en-US/ebook/ghosts-of-christmas-past-4

AllRomanceEbooks https://www.allromanceebooks.com/product-ghostsofchristmaspast-1591200-344.html

Apple Ibooks: https://itunes.apple.com/us/book/id907478817

 

 Excerpt:

Jen turned, gazing over the bare winter fields to the tangle of trees. No explanations, no obligations, no complications. For two whole weeks she could just hide here, and write.

The first genuine smile she could remember since April spread her face wide.

Then the pickup arrived.

Black, large, and full of male attitude it parked right next to her vacation house, dwarfing her small car and taking up the entire drive.

“Oh, there’s Nate now.” Mrs. Castlebury waved at the man pushing an eager black Labrador back into the cab while trying to exit the vehicle.

He got the door shut, faced them, and grinned. Dressed in New England casual of laced-up work boots, jeans, and plaid shirt under a denim jacket, Nate Pierce, striding across the snow, hand out in welcome, was a commercial for settling down. Tall. Good-looking in a rugged, works-for-a-living kind of way. And he had a dog. A big, sloppy, super-cute dog, wagging its tail and drooling on the driver’s side window.

For one impulsive moment Jen wished this was her life. She loved big dogs, the country, and secretly, men in plaid shirts, but she hadn’t had the opportunity for any of it since her dad’s death. Their daddy-daughter fishing trips, where he’d gotten to get out of his suit and she’d gotten to be free of her school uniform, had stopped cold the year she’d turned twelve.

This was the first time since then she’d ventured outside of somewhere hot and warm with a very clean, very controlled hotel. Her mom’s idea of a vacation. Of course, neither her mom nor her ex, Jason, tolerated dogs of any size. And as for living outside of the Boston city limits?

Neither of them would consider the horror.

She squashed the sudden surge of loneliness and desire for something she’d probably never have, and pasted on a smile.

Mr. Good-Looking Country Boy tramped through the snow to the porch, pushed his overlong forelock of sandy brown hair off his face, and held out a hand. “Hi, I’m Nate Pierce, your landlord.”

“My what?” She shot a quick look at Mrs. Castlebury.

“Your landlord, dear. I’m just the listing agent. Nate owns the house and he’ll see to any upkeep you need.”

“In fact, I’ll be back in an hour or so after you’ve gotten settled and bring the Christmas tree.”

“The Christmas tree?” She’d forgotten. She’d purchased the Christmas in New England package because it had been cheaper than renting by the day. “That’s not necessary,” she said, her voice chillier than she’d intended.

“I’ve already cut the tree down.” Nate’s friendly grin wavered as did his hand hovering in the air between them. “It would be a shame to waste.”

She didn’t want to be friendly with the neighbors. She wanted to hide out and recuperate. Make up her mind as to what in the world she was going to do next. But good manners won out.

Jen repressed a sigh, reached out, and slid her bare hand into his. As it disappeared into his tan callused grip, her hand seemed slim and small. He squeezed gently and a tingling warmth spread across her skin.

Hot caramel sensation slid from the connection between them, up her palm, along her arm, and through her entire body. Her hand tightened automatically, and a responding spark lit in his eyes.

Jen swallowed. Shoot! She wasn’t ready for this. She was here to lick her wounds, not some guy’s abs. And given the strength in his hand and his wide shoulders, she’d bet he had some killer abs.

She gazed up into Nate’s warm chocolate brown eyes and his face blurred. For a moment she saw another face superimposed over his. Same brown eyes, same tanned, rugged New England skin, but more boyish, broad-boned and black haired.

Every hair on her scalp tried to climb out of its slicked back, ponytailed restriction.

Then her new neighbor’s sharper, more intense features came into focus. Jen panicked and jerked her hand away. Wiping her buzzing palm on her long red wool coat she backed up, nearly running into Mrs. Castlebury.

“Oh, I’m sorry. Pardon me.” She circled around, putting the older woman between herself and Nate Pierce.

What the hell just happened?

Jen tucked her hands into the safety of her coat pockets, surreptitiously rubbing her tingling right palm along the silk inside her pocket. Trying to get rid of the strange feeling spreading along her skin and telling her pounding heart that everything was fine. That something bizarre hadn’t just happened to her. And that life was safe and normal.

 

Jessica_Aspen_Pic (1)_2Author Bio:

Jessica Aspen has always wanted to be spirited away to a world inhabited by elves, were-wolves and sexy men who walk on the dark side of the knife. Luckily, she’s able to explore her fantasy side and delve into new worlds by writing paranormal romance. She loves indulging in dark chocolate, reading eclectic novels, and dreaming of ocean vacations, but instead spends most of her time, writing, walking the dog, and hiking in the Colorado Rockies. You can find out more information and read about Jessica’s paranormal romances at http://JessicaAspen.com

To sign up for Jessica Aspen’s new release email please go to: http://eepurl.com/zs4Sj

 Author web links: (web, blog, twitter, facebook, goodreads, etc)

 Website: http://jessicaaspen.com

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Join the Jessica Aspen mailing list! Get the scoop on new releases, sales, plus the chance to win ARCs and participate in special giveaways.  When I send you an email, there’s always something in it for you! http://eepurl.com/zs4Sj

Daughters of the Dagger Series By Elizabeth Rose

amber500_2Thanks Cynthia for having me as your guest today.

Amber de Burgh – Book 3 of my Daughter’s of the Dagger Series is one of the four daughters of a baron. Ruby, Sapphire, Amber and Amethyst were all named after the jeweled daggers their mother bought in superstition from a blind old hag, as she was barren and the superstition said this would guarantee she conceive one child for each dagger bought.

My Daughters of the Dagger Prequel is free to get readers started in the series.

Getting back to Amber – she is a novice in an abbey, studying to take her final vows. That is, until she meets the mercenary, Lucifer (Lucas) who is one hell of a man, and they are sent on a pilgrimage together. Amber intends on praying, but that is the furthest thing from Lucas’s mind. Matter of fact, he is on a mission to steal the Regale Ruby from the Canterbury Cathedral.

daggerpreq500_2 Back then, people were very superstitious, and believed in all sorts of things. One thing they believed in was holy relics. Holy relics were usually a bone, some hair, a piece of clothing, or anything that supposedly came from a saint. People believed if they were to buy, touch or even kiss one of these objects, they or their loved ones would be healed – and/or it would pave their way to heaven.

People were sometimes so desperate to attain a piece of a holy relic, that while kissing one, they would even try to bite off a piece to take with. Churches prided themselves on who had the most or the best relics, because that was a big draw to bring people and therefore more money to their church. So oftentimes, the priests back then (who were not as holy as you’d think) would go about trying to steal the relics from each other. It was kind of like a fraternity trying to steal each others’ mascot.

Amber works as an illuminator in the abbey’s scriptorium. This is a wonderful process which I describe in the book, as well as the life of a novice inside the abbey walls, and the process of going on an actual pilgrimage.

Jamesnew500_2 Amber – Book 3 of my Daughters of the Dagger Series is on sale for 99 cents at Amazon until Sunday. The books are now also offered as a boxed set – including the prequel, and offered as print books as well.

Please see more details on my website: http://elizabethrosenovels.com.

The link for Amber is: http://www.amazon.com/dp/B00F9UBU6Y

And for the free prequel: http://www.amazon.com/dp/B00EAMJHOE

My books are also available at Barnes and Noble, Apple, Kobo and Smashwords.

Book Trailer for Daughters of the Dagger: http://youtu.be/ssDA4LGsqH0

 

 

LizRose500_2 Bio: Elizabeth Rose is the author of over 30 books, and writes historical, contemporary and paranormal romance. Her latest book in her Tarnished Saints Series, Wrangling James – Book 6, a small town cowboy, will be released this month.

 

 

 

Excerpt from Amber – Book 3:

Bowerwood Abbey, England, 1357

 

Vespers had just finished, and Amber de Burgh of Blackpool, novice of the Sisters of St. Ermengild, blessed herself as the doors to the church slammed open, and in entered the devil himself.

All heads of the congregation of praying nuns and monks turned toward the door, and Father Armand who was conducting the service looked up sharply in surprise.

“Lucifer!” he cried out, startling everyone inside the church. “Bid the devil.”

Commotion broke out and the occupants of the church parted like the Red Sea. The nuns huddled together in a hurry, quickly blessing themselves and praying aloud in the process. The monks gathered together at the other side of the church in silence.

Amber raised her chin, looking over the heads of the nuns, surprised to see a man standing in the doorway instead of the horned and hoofed demon she expected to find. A bedraggled man with a chain around his neck and chains on his wrists stood in the entranceway. His legs were spread, and his hands raised to stop the doors of the church as they hit the wall and swung back toward him. Lightning illuminated him from behind, and thunder boomed from outside as rain pelted down like a barrage of arrows from the sky, crashing against the stone steps of the church directly behind him.

“Father,” the man said in a low voice through clenched teeth, and Amber knew he was speaking to Father Armand. “I will see you in Hell before I do your bidding again, you bloody bastard!”

Cries of shock went up from the group of nuns around Amber and one of them swooned, ending up prone on the floor in a tangle of her black robes and long veil. Several of the sisters rushed over to assist her. The monks at the other end of the church conversed in hushed whispers behind their hands. Amber curiously made her way from the wooden bench at the front of the church closer to the door to gaze upon this spawn of the devil.

 

Elizabeth Bailey writing about Fated Folly

fated_folly2_2I always feel when writing my Regency and Georgian romances that I am penning fairytales for grown-up little girls! For me, the attraction both in writing and reading these novels is the magical element of reaching into history and leading an impossible partnership into the happily ever after.

It fascinates me how the major fairytale themes come up again and again, in all genres of romance. Cinderella is forever popular, even when turned on its head with the heroine taking the unattainable prince role and the hero becoming Cinderella – like the film Notting Hill.

But a close second is, I think, the Beauty and the Beast scenario. Is it a similar thing in that the hero is unattainable? Rather than simply outclassing the heroine in the fortune or status stakes, he is too wounded to be won.

Whether his scars are external or internal doesn’t matter. They are so deep that it seems impossible for the heroine to assuage his pain. Can she tame the beast? We are hooked into the story by wanting to know how.

My story Fated Folly, a tale of the ogre and the minx, is a combination of these two themes. Rupert is a widower in his early thirties, far too old for a girl just turned eighteen. But that doesn’t stop mischievous Clare from tumbling into love with him.

BLURB

When youthful Clare Carradale beards the ogre in his den, she is instantly smitten with Sir Rupert Wolverley’s raw and powerful attraction. In an attempt to prevent her brother eloping with Sir Rupert’s niece, Clare is herself compromised. She must either marry his young cousin, Lord Ashendon, whom she detests, or Rupert himself.

Can Clare’s hopes of a radiant future be realised in this uneven and improbable match? Both Fate and Ashendon conspire against her. But Clare’s true battle lies in overcoming Rupert’s inner demons, if she is to save her marriage and win through to a promise of happiness.

EXCERPT

‘Sir Rupert, are you offering yourself up as a sacrifice on the altar of matrimony?’

He grinned. ‘Miss Carradale, I am.’

He might have guessed, Rupert thought, that she would turn it all into a joke. He was glad. It made it easier. He must feel his way, for he was on delicate ground. Truth to tell, he had shocked himself almost as much as he had shocked the child. She was speaking again, and he was obliged to force back an extraordinary heady lightness that had invaded his mind.

‘It is quite enchanting of you, Sir Rupert, but I cannot let you do it. You had no hand in compromising me. Besides, you don’t want to marry me. You said it was preposterous.’

‘No, that was your father’s word, not mine. I dare say it will be thought a trifle eccentric, but that, I imagine, should not trouble you.’

‘No,’ Clare agreed, eyes dancing. ‘After all, we must not forget that I am a minx who is going to lead my husband a dance.’

He laughed. ‘And I am an ogre. How in the world shall we manage?’

Clare’s face clouded. ‘You didn’t mean it.’

‘I did. I do.’ He found her hand and lifted it to his lips. He felt the quiver of her fingers and folded them inside his much larger clasp. ‘Don’t be afraid.’

‘Oh, I’m n-not,’ Clare stammered, struggling with her churning emotions. ‘Only—only shocked.’ She hazarded a naughty twinkle. ‘But pray don’t offer me any brandy this time. You cannot wish for a wife who is addicted to the bottle.’

‘I don’t wish for a wife at all,’ he returned, laughing.

Clare’s spirits plummeted, and did not rise even when he instantly retracted.

‘No, I don’t mean that. Rather let me say I am not hanging out for a wife. I have an heir, you see. Marriage—a second marriage—had not seemed…’

‘And now you mean to disrupt your life, all to save my face,’ Clare stated flatly, the disappointment a lead weight in her bosom. She felt her other hand taken and both were held so strongly that she was hard put to it not to wince, despite the deep delight his touch engendered.

‘Listen, Clare, this is not in any sense an ideal solution, I know that. But your case is desperate, and it is in some sort my fault—’

‘It most certainly is not!’

‘We will not dispute that. Say then, my responsibility, for it is my relative—I refer to Ashendon—who put you in this situation.’

It was not at all what she wanted to hear, and she tried to protest.

‘But that is—’

‘Hear me out. I am sure you will not “disrupt my life”. I only hope I may not altogether wreck yours by such a marriage. For I know it cannot be a real marriage, not at first at least. You are so very young.’

She heard a wistful note in his voice and wondered at it. ‘Well, but I have heard of many marriages unequal in age. And you are not so very old either.’

‘I am three and thirty, and that is old enough. You are exceptionally young, and cannot be expected to know your own mind.’

‘But I do know it,’ Clare protested with a touch of indignation, hardly aware of how she returned the pressure of his fingers. ‘You have not asked me what is in my mind, Sir Rupert.’

His grip relaxed, and he smiled a little. ‘Under the circumstances, I think, don’t you, that we can dispense with the title?’

She let out a gurgle. ‘You mean I should call you “Rupert” instead of “ogre”?’

‘That was not precisely the exchange I had in mind,’ he said drily, and released her hands.

Clare looked down at her own fingers. They were tingling from his hard grasp, and her heart was pumping so hard it threatened to choke her. What had possessed her to challenge him so? At any second he would ask her what was in her mind and she could not answer him.

She felt his fingers under her chin and lifted her eyes to meet his questioning glance, schooling her features to hide the confusion of her mind and heart.

‘What is it?’ he asked, unnervingly aware of her change of mood.

Clare summoned her twinkling smile. ‘Are you quite sure you wish to make this chivalrous gesture?’

‘Gesture?’ He released her chin. ‘I am offering you the protection of my name, Clare.’

Her lip trembled in spite of herself. ‘Nothing more?’

‘My God, so that is it! My poor child, I am not a monster. You need not fear that I shall importune you with unwanted attentions.’

Fear? Unwanted? Good heavens!

LINKS

Currently on sale at 0.99c or 0.77p

AMAZON US

http://tinyurl.com/my8j3bq

AMAZON UK

http://tinyurl.com/mfadgyb

Smashwords:

https://www.smashwords.com/books/view/369243

Interview with Romantic Suspense author Jacquie Biggar

JacquieBiggar_TidalFalls_HR_2I welcome Jacquie Biggar to the blog today. Jacquie owned and operated a restaurant in her hometown of Edson Alberta for thirteen years before moving west to Victoria to take care of her grandson and pursue her dream of becoming a writer. She joined Romance Writers of America, Kiss of Death—an online suspense group, and a local chapter, VIC-RWA, of which she currently holds the position of secretary.

Do you outline your books or wing it? Describe your process.

I’m what’s known as a pantser, in other words I wing it. I get my ideas from current events and from there I build my character’s world.

How do you decide on setting?

The setting was the easy part. I love the west coast and small towns, so I made that an integral part of my story.

What genre(s) do you write in? Why?

I’ve always loved romance and dreamed of one day writing for Harlequin—still working on that—and suspense books keep me turning the pages, so it was a natural fit.

What is your favorite part of writing?

When you get that scene in your head and everything flows from the fingers to the keyboard, almost without thought. Love that.

What is your least favorite part of writing?

I’d have to say editing. I go over the same words so many times it can be frustrating.

Some writers edit excessively as they write; others wait until a novel is finished to do the bulk of editing. How about you?

I edit as I go. I’m compulsive, and can’t seem to leave it alone.

What’s the strangest thing you have ever done in the name of research?

Online searches for drug-running and human trafficking in Iraq and Mexico. I expected to be flagged by the CIA at any time, 

E-books, print, or both? Any preferences? Why?

For myself I prefer e-books, but I know a lot of people like print so I’ve gone with both for my novel. And let’s face it, there’s nothing like holding a book you wrote in your hands.

Please tell us your experiences with social media. What are your favorite and least favorite parts of it?

I love social media. It’s an amazing way to make friends with people from all over the globe. That being said, I’ve found since I opened an author page on Facebook, I’m getting lots of strange, “Hi, I’d like to get to know you better,” messages I could do without.

What do you read? Do you read different genres when you’re writing versus not writing?

I read a wide variety within the romance genre. Romantic Suspense-Iris Johansen, Suzanne Brockmann, Comedy-Jennifer Crusie, Paranormal-J.R.Ward, YA-Jodie Esch, Lisa Lange.

For more about Jacquie Biggar check out her website and connect with her on Facebook and Twitter.

http://jacquiebiggar.com
http://Facebook.com/jacqbiggar
http://Twitter.com/Jacqbiggar

Here is a blurb from my novel, Tidal Falls, available Sept 15/14

Sara Reed is on the run from an abusive ex who happens to have ties to a Mexican cartel. Mistakenly thinking her and her daughter would be safer if she had some kind of leverage, she takes a copy of some valuable files, files that make her a target.

Nick Kelley is an ex-marine trying to find his place now that his career is over due to injuries suffered from an IED. When the two of them meet in the pretty little town of Tidal Falls, the experience is explosive.

http://www.amazon.com/Tidal-Falls-Wounded-Hearts-Book-ebook/dp/B00MS89MA6/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1410146633&sr=1-1&keywords=tidal+falls

Christmas Give by Meda White

CG_barnesnoble (1)_2Have you ever heard the expression Christmas Give or Christmas Gift? I’ve heard it my entire life. In my family, you were guaranteed to hear it when you walked into Grandma’s house on Christmas Day. In my holiday novella, Adam/Mack explains the meaning to Eva. According to Wikipedia, the expression can be traced back to 1844 in the Southern U.S. From my research, I’ve gathered that it was originally Christmas Gift, but as we Southerners are sometimes prone to do, it evolved with dialect and tradition. Granny Rhett said, “Christmas Giff.” Grandma (Verna T) said, “Christmas Give.” And Maw (Eva) said, “Christmas Gift.” Either one you choose, they mean the same thing: whomever you say it to is supposed to present you with a gift. Try it this Christmas and start a new tradition.

 

BLURB: Eva Walker returns home to Georgia for the first Christmas since her husband’s death. She’s missed her family, but is afraid the void left by her husband will make it unbearable.

Between losing his job as an NFL defensive back and losing his wife to the star quarterback, Adam “Mack” Riggs has had a rough year. Looking for a change of pace, he visits an old college friend for Christmas.

The attraction between Eva and Adam is instant, and so is the laughter. Enjoying life again feels so good for both of them. Simple Christmas wishes unite with a shared holiday tradition, putting them on a path toward healing and acceptance. A path that could lead to a future, if only their pasts would remain where they belong.

 

EXCERPT:

When it was time to clear the table, Adam went to Eva and took the plates from her hand. “You need to sit.”

“But I…”

He placed the plates on the table, picked her up and carried her to Brad’s recliner.

“But, Santa Paws, it feels much better.” Her wide-eyed innocent look made her appear younger than her years.

He shook his head. “You need RICE.”

“I’m too full for rice.” She put her hands on her abdomen.

“Rest. Ice. Compression. Elevation.” He tilted the lever on the chair to lean her back.

The family went on about their business while he went to the freezer. He grabbed a tea towel and returned to place a bag of frozen corn on her knee. Then he went to her room and got a pillow from the bed to prop under her leg and get it a little higher.

“How do you know to do all this?” she asked.

“Two knee surgeries and more sprains, bruises, and pulled muscles than I can count.”

“That’s a tough line of work. I’m glad you’re moving on.”

He smirked while she squirmed and settled. “Will you be needing anything else?”

“Only this.” Somehow, from a nearly laid out position, she managed to pull the Heisman pose, using the corn in place of the ball.

He’d never fallen down laughing before, but he grabbed his gut and took a knee. “You’re too much.”

Buy Links:

Amazon- http://www.amazon.com/gp/product/B00O4CUJP6/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00O4CUJP6&linkCode=as2&tag=medwhi0b-20&linkId=SNGER2USWMHQQXTP

iBooks- https://itunes.apple.com/us/book/christmas-give/id924172303?mt=11&uo=4&at=10lMka

Nook- http://www.barnesandnoble.com/w/books/1120436154?ean=2940150404793&itm=1&usri=2940150404793

Google- https://play.google.com/store/books/details?id=2qerBAAAQBAJ“>https://play.google.com/store/books/details?id=2qerBAAAQBAJ

Meda_White_head_shot_2BIO: Meda White writes sweet, sultry, and southern contemporary and new adult romance. Born with Georgia clay running through her veins, she continues to enjoy the Southern lifestyle with her husband and a very spoiled Collie. When not writing, you might find her making music, shooting zombie targets, teaching yoga, or explaining the meaning of her unusual first name. You can connect with her on Facebook https://www.facebook.com/MedaWhiteWrites  and Twitter https://twitter.com/medawrites

 

Interview with Margaret O’Neil

PJM_cover_cream_2Can you tell us a little bit about yourself and who you are as a writer?

I grew up in NW Indiana, several miles from Chicago. I started reading romantic stories when I was eight, devouring library books written for teens, usually one a day. This love of romance carried into my adult life. I now have over three thousand romance novels in my collection and am rarely willing to part with any of them. It seemed only natural for me to write romance.
My books are primarily contemporary “relationship” books—stories about people falling in love and making that love work for them. My protagonists might have idealistic differences, but I don’t dwell on “love-hate” themes used to create conflict that we find in a lot of formula romance.

Who is your intended audience and why should they read your books?

Readers who like a good old-fashioned romance, character-driven and emotional, might like my books. I’m not heavy into complicated plots; I like to concentrate on a good story about the process of finding the happily-ever-after (HEA). I was pleased when romance novels opened the bedroom door and let us see the physical love between two people. Reviewers who rate “heat” have rated my love scenes mild or medium heat. I also try to keep the language relatively clean.

Peter Jordan’s Marriage is an unusual title—how did you come up with it?

Peter Jordan’s Marriage (PJM) is a special book for me. It’s about making a love and marriage work, and I wanted the title to reflect that. So, even though the hero is a pro-football player, that’s not the focus of the story. When Peter Jordan finds the one woman who is right for him, he scraps all his ideals of a stay-at-home mom to marry the woman he loves. But making his marriage work with her career becomes an obstacle both have to face, making this book about Peter Jordan’s Marriage.

I am a huge sports fan, though, and was actually sitting in an NFL stadium on a Monday night football game, when I saw a player, a wide receiver, get hit exactly as described in PJM. As they took him off the field in an ambulance the idea for this book sprang to life.

Football players, both in college and the NFL, often get a bad rap, because of the few that make headlines for their abusiveness to women and children. We encounter abusive men in all walks of life, not just sports. I wanted to show a “good guy” sports figure who is looking for a woman he can love forever, a woman who will give him the family life he missed as a child.

Who is your favorite character from you books and why?

Peter Jordan, no question about it. A true “gentle giant” Peter Jordan epitomizes the “nice guy” most any woman could fall in love with. My heart kicks up a beat every time a I get a response from a reader that points out how nice it is to read about an athlete who isn’t a jerk.

How about your least favorite character? What makes them less appealing to you?

I’m assuming were talking about the hero/heroine in my books. Less favorite characters, of course, are the obvious villains and need no explanation for my dislike. Although I often try to find redemption for my obvious villains, trusting my reader might like them as well by the end of the book.

I suppose my least favorite heroine might be the one I’m writing about now in The Handsome Contractor. Beth is not very likeable at first: career-driven, hiding her dysfunctional family background, wanting no part of a future that includes a man. (Almost sounds like the clichéd formula romance, doesn’t it?) She is a successful architect, wielding great power in the business world, but she’s got to come a long way if I’m going to like her. I do see some improvement in the last two chapters, but she’s been a tough character for me to develop and has given me writer’s block more than once.

What other books are similar to your own? What makes them alike?

Other than being contemporary romance or the general themes, (i.e. Million Dollar Wife a marriage of convenience, or the friendship into love theme found in Here For You Always) I like to think my books are not that similar. For example, when I first submitted Here For You Always for publication, editors liked the story and my characters, and particularly commented on Leigh’s son, but the idea of the hero loving the heroine from the get-go didn’t fall into the formula at the time. Editors insisted characters couldn’t admit love until the end of the story or it ruined the tension. Also sports heroes were definitely taboo. Susan Elizabeth Phillips was one author I admired because she ignored that rule and was successful doing so.

What can we expect from you in the future?

I’m hoping to finish The Handsome Contractor in time for Christmas. My contractor is Matt Spicer, running a family business with two grown delinquent brothers and a widowed mother he feels responsible for. The last thing he wants is more responsibility in the form of a wife.

Readers have asked for a sequel to Million Dollar Wife that includes Bryce’s sister, Ann, a successful entertainment lawyer, and the private investigator, Jarret McGraw. At first I couldn’t seem to come up with a story, but in the last few weeks I found Ann snowbound with two orphaned children. She just might have to contact Jarret for help. Who knows what might happen?

What can readers who enjoy you books do to help make them successful?

Reviews on Amazon, or Goodreads or any other websites help a great deal. Telling their friends is also helpful. I hope to have a website soon, so I can communicate directly with readers; find out what they like and don’t like. I think having some direct contact would be especially fun.

How about a taste of one of your books?

Here’s an excerpt from Peter Jordan’s Marriage…
Her voice was so soft Pete wasn’t sure he heard her. “What did you say?”
“Do you want to make love to me?”
Incredulous, he stood with his arms at his side. “Now? Tonight?”
“Right now.” She gestured toward the white fur rug. “Right here.”
He stared down into her eyes, a pool of blue lights, unfathomable, dewy from unshed tears. This wasn’t the way he’d planned this moment. Something was terribly wrong. “Does this mean you love me, Bobbie?”
“I just want us to make love—tonight.”
“Why?” The word came out harsher than he meant it too.
“Why?” she countered. “Why does anyone make love?”
“For a lot of people, it’s not love, Bobbie. It’s just sex. I want to be sure you know the difference.”
“I thought this is what you wanted.”
“I do,” he said, ignoring her trembling lips, “but not like this. Do you know how this feels to me?” He didn’t give her a chance to reply. “Like a command performance. I’m not taking your test, Bobbie.” She didn’t answer him.
Watching the expressions of hurt and bewilderment play across her face, Pete took a step forward. There was so much at stake he had to find the right words. “I love you, you little idiot, and you’re risking our entire future on one night. If I don’t perform on demand, like some trained animal, if I can’t make sex acceptable for you on the first try, you’re going to walk out of my life, convinced it will never be right. That’s not fair, Bobbie, to yourself or to me.”
“You’ve got this all wrong, Pete,” she said sadly. “I wasn’t testing you. I was testing me. This whole thing makes me feel guilty. I can’t seem to be all the things you want in a woman. I haven’t been willing to take the chances you need me to take.” Her voice broke.
“So you’ve offered yourself as the sacrificial lamb? Is that supposed to make me feel good?” He could see in her expression that his words cut deep.
“Stop it,” she said. “I got your message. What do you want from me, Pete?”
“What I don’t want is your guilt. You are the first woman I’ve ever loved. The only woman. And I want all the things that go with a first love. A love without reservations or doubts. I want marriage with you. A family . . . “ His voice trailed off. Despite all of their obstacles, his values that didn’t match hers, her goals so different, miles apart from his own, none of it mattered. He’d just asked her to marry him. The situation was so far from his fantasy of candlelight and wine, red roses and a velvet ring box, it was almost laughable.
God, this was for real. He wanted her under any circumstances.

GLORIOUS MONTANA SKY by Debra Holland

Please help me welcome my friend Debra Holland to my blog today.

Holland_GloriousMntSky__front_v.4_2Sometimes an author carries a story around in her head for years before she actually has a chance to write it. Such was the case for me with Glorious Montana Sky. I can’t tell you when the idea for the story of Joshua Norton, son of Reverend Norton (the minister in my small Montana town) and his wife Mary, came about. I do know I started formulating the story about three years ago.

The first scene that came to me and I wrote down at the time was between Joshua and his father. In the scene, Joshua, a missionary who’d just returned from Africa after the death of his wife, was telling his father about his feelings of burnout. (But since it’s 1895, I couldn’t use the word “burnout.”)

As I wrote this scene, another character came into being—Joshua’s nine-year-old son, Micah. Joshua told his father how Micah had run wild for the previous year because his mother was dying. The boy bonded with the African natives, whom he considered family, and was grieving and resentful about leaving them. Joshua had been focused on caring for his wife and neglected his son. So his relationship with Micah is strained.

Ah, two hurting men or, rather, a man and a boy. I had to find a partner for Joshua—a woman who’d both challenge him and help him heal, one who’d bond with Micah and help him adjust to living in Sweetwater Springs, Montana.

A definite challenge for I had no character in Sweetwater Springs who would fit for Joshua. Therefore, I had to bring her from somewhere else. So the idea of Delia Fortier, a quadroon woman fleeing New Orleans with her father, came to me. I knew he’d have a heart attack on the train, forcing the two to stay in Sweetwater Springs while he recovered. Delia has a secret that she hides from Joshua—the reason she and her father left New Orleans. This secret will keep her and Joshua apart and may even threaten their lives.

With the idea for the book firmly in my mind, I wrote down my notes. I commissioned Delle Jacobs, my cover designer, to do the cover for Glorious Montana Sky, telling her I wanted a sweeping sky scene with a train in the distance. We played with the size and angle of the train, and I settled on a small barely seen version.

Then I set the story aside and focused on writing Painted Montana Sky and Montana Sky Christmas, both smaller books that I could write quicker than the longer story for Glorious Montana Sky. Then I had the idea for The Mail-Order Brides of the West subseries, and wrote three of those books.

So Glorious Montana Sky had plenty of time to simmer in my mind. In the years since thinking of the story and writing it, I would have ideas or bits of dialogue come to me. Often this happened in church during the sermon. One of the ministers at my church was a missionary and also grew up on a farm in North Dakota. Sometimes he’d tell a story that had me scribbling notes on my bulletins. When it came time to write the book, I had a stack of church bulletins to go through.

A week ago, I received my author copies of Glorious Montana Sky. Holding the book in my hand, with the beautiful cover designed three years ago, I had a huge sense of accomplishment—a dream that was three years old was now a reality. What a wonderful feeling!

DESCRIPTION
After years as a missionary in Africa, Joshua Norton is mentally exhausted. He returns home with his estranged nine-year-old son in tow, hoping to rebuild their relationship.

Meanwhile, Delia Fortier plots to escape becoming the mistress of a cruel, powerful politician. The mixed-race secret daughter of a wealthy businessman, Delia seeks help from her father who offers her an opportunity: travel west with him, pretending to be his legitimate daughter.

When Joshua and Delia meet, their attraction is undeniable. But will Delia’s secret stand in the way of their love?

EXCERPT

No sign of Delia. Anxious to see her, Joshua stepped through the glass door and onto the brick path. He moved toward the fountain, then veered to the right, checking underneath the arbor, and then looked across to the other. The wooden benches under both were empty.

Disappointed and wondering if she’d gone in to check on her father, Joshua continued his stroll around the fountain, choosing the slanting path toward the gazebo. The breeze brought the scent of the roses growing in beds along the wall. From this angle, he could see through the doorway to where Delia sat reading on a cushioned bench that circled the interior. His stomach did a little flip, and his feet rooted to the ground.

Sunlight filtered through the lattice and hanging morning glory vines to gild her gold-and-brown patterned dress and burnish auburn highlights into her dark hair. He could see her profile…the line of her throat, the soft rise and fall of her chest.

Somehow, Joshua knew he’d always remember this image of her. Reluctant to shatter the picture, he watched for another moment before taking off his hat. “Miss Bellaire,” he called softly.
Delia looked up from her book and saw him.

The way she smiled and how her eyes lit up caused Joshua to catch his breath.

“Reverend Joshua.” She placed a bookmark between the leaves and closed the volume. “How good to see you.” She waved him in.

“Mrs. Graves tells me your father is resting.”

“Yes, I insisted. Although Papa does seem much stronger and has started to chafe at staying in bed.”

“I don’t blame him.”

“Your son is a godsend, the way he entertains my father. After their chess game, Micah walks him in the area outside the bedroom. It’s something to see, Papa’s hand on Micah’s shoulder, their painstaking progress, that boy’s patience with a sick man.”

Her words gave Joshua a sense of pride. For so long, he’d only heard complaints and criticism about his son, mostly he reflected with some guilt, from the boy’s own mother. And she’d made him believe their son’s normal boyhood mischief was a more serious behavioral problem. Thank goodness, Micah and I are gradually growing closer.

“Visiting with Andre has helped Micah too,” he said. “My son seems happier lately. I’m hopeful adapting to Montana won’t be as difficult as he and I feared.”

She patted the bench next to her. “Come sit. I imagine my father will awaken soon and will be happy to see you.”

Joshua took a seat next to her, perhaps closer than he would for any other lady, setting down the bowler on his other side. “I’ve been in better spirits, too.”

Delia gazed at him, sympathy in her eyes. “You’ve been in mourning.”

He let out a long breath. “Yes, but I’ve also struggled with a feeling of malaise.”

She touched his hand. “I’ve seen signs of that.”

“Being home…with my family and old friends…” He gazed at her sure she could see his feelings in his eyes. “And new ones…has proven to be a tonic.”

Pink rose in her cheeks, and she glanced away.

He reached inside his coat, pulled out the letter from his vest pocket, and handed it to her. “The stationmaster sent this with me. He says it’s from New Orleans.”

The light left her eyes, and her skin paled. With obvious reluctance, Delia reached to take the letter from him.

Concerned, Joshua leaned toward her.

Delia glanced up at him, her eyes wide and apprehensive. “It’s from my mother.”

“Would you like me to leave so you can read in private?”

Her hand shot out to clasp his. “Oh, no. Please stay.”

Joshua squeezed her fingers and had to prevent an instinctive need to bring her hand to his lips. Reluctantly he released her.

Delia took a deep breath, opened the envelope, pulled out the single sheet of paper, and began to read.

From the glimpse Joshua had of the writing before he turned his face away, her mother had only written a few paragraphs.

Delia made a small gasping sound of distress.

His stomach tightened. What’s wrong?

When she finished reading, Delia kept her head averted. With shaking hands, she clumsily folded the paper and tried to stuff the sheet back into the envelope.

Amazon-7121 (1)_2BIO

Debra Holland is the New York Times and USA Today bestselling author of The Montana Sky Series (sweet historical Western romance.) She’s also the author of The Gods’ Dream Trilogy (fantasy romance.) Sign up for her newsletter and download a free copy of her ebooklet: 58 Tips For Getting What You Want From a Difficult Conversation. Http://drdebraholland.com

LOVE ME LATER Excerpt by Libby Rice

Love Me LaterScarlet eyed Ethan in speculation. “What kind of ‘take me home’ are we talking?”

“The multiple choice kind. You get whatever you want.”

Intriguing. He didn’t seem the type to rush, let alone into a woman he held in mild contempt. An empress like her.

Yet she slid her hand into his grip, a compulsion to get close overriding any doubts. Perhaps she felt compelled to play reckless. Or maybe she was driven to place herself in the hands of a man who offered her something of value.

Like time.

They rose from the table, his thumb discretely circling her palm. Wisps of heat trailed upward, at once arousing and endearing. She ought to pull back for at least appearance’s sake. But she didn’t. Instead, she let him lead her away from the sanity, or at least the safety, of her friends. On the street, they headed straight for the Maserati. Two hours ago, the car had been nothing but a reminder of emotional distance. Now it seemed thrilling as all hell.

The ride was smooth and quiet. Ethan slid behind the wheel, revved the engine, and glided into the night. A complete chameleon, he looked and acted like he slipped into the extraordinary every day.

Parked in her underground space, he leaned across her seat and pulled the passenger handle. On withdrawal, his shoulder grazed her chest. He didn’t acknowledge the subtle caress, so she kept quiet, resisting the urge to arch forward in search of an actual grope.

Swinging one leg from the car, she twisted back. “The earrings were my mother’s.” They were a living memory she rarely left home without.

Ethan had already unfolded himself from the car. At her words, he dropped to a crouch, meeting her gaze across the seats.

She lifted a hand to tug a stone. “They’re talismans for luck. For strength.” For the ability to enjoy life and spread warmth like her mother had. When he didn’t respond, she rolled her head back to examine the ceiling. “You said to lose them if I ever see a street fight.”

He leaned in. “You never will, so—”

“These rocks are like your attitude. I mean, they remind me who I am and provide the ultimate mask.” The earrings told the world she was nothing more than a pretty bauble, expensive and meaningless. They told her she was strong and resilient and, at least once, loved. Ethan’s cynic warned the world away, but maybe his harsh exterior provided mere camouflage.

His expression remained impassive, revealing nothing. “You surprise me, Scarlet.”

Calling her “Empress” had been fine until he said her name, long and slow like chilled maple syrup. His mouth, she decided distractedly, might be his best feature. Full lips curved over white teeth in patterns that injected everyday words with undeniable power. They let her in while his eyes locked her out.

When she stepped from the car, he was there, and she let him clasp her hand and guide her to the elevators. Fumbling for the key card in her bottomless purse, she worried she’d gotten in over her head. Awareness of the man who stood large and solid next to her, at once disarming and enigmatic, raised the skin on her arms into a thousand tiny bumps.

She came to a hard stop at the split doors. “Here we are.”

Ethan’s lingering smile fled. “We’re in a garage, Empress, standing at an elevator.”

Scarlet regarded him for a weighty moment. “Penthouse,” she explained, pointing up. “Private elevator. This, essentially, is my door.”

He stepped closer, and a nervous chill chased down her neck. For all her feeble attempts at rule-breaking, her life invited solitude. She lived behind walls, walls in the form of guarded buildings, alarm systems, and close confidants from her limited social stratosphere.

“So what’ll it be,” he murmured, eyes on her mouth.

She cleared her throat, refusing to step away, yet wringing the handle of her bag with two fists.

“Scarlet,” he said in that low voice big men use to soothe frightened animals, barely moving forward, but advancing all the same. “Relax.”

“Please, don’t say that.” First of all, she couldn’t obey. Worse, commanding her to simmer down, no matter how gently said, only pointed out that she clammed up at the mere hint of intimacy.
He backed her up with his body, then hunched over her smaller frame, bracketing her rear against the seam between the elevator doors. “All right. Should we get it over with?”

“A kiss?” she breathed. Yes, kiss.

He leaned in, and she felt heat seep from his tense thighs and stomach. “If you insist.”

LOVE ME LATER
By Libby Rice

Can they love right on the redo?

Scarlet Leore enjoys a glittering existence amongst society’s elite. Ethan Blake is a prizefighter knocking his way through school, counting on his winnings to bankroll the dreams that won’t fit in a boxing ring. When the two meet, neither can deny the instant attraction that wells between the hulking fighter and the heiress who is miles and millions out of his league. But a vicious attack leaves Scarlet physically and emotionally battered, and for Ethan, her allure crumbles along with the rest of his life after she accuses him of wielding the knife.
Years later, Scarlet has abandoned the high life for that of a hard-working lawyer, while Ethan has clawed his way to the pinnacle of a business empire. Drawn into his world of high-stakes tech mergers, they dance to a tune of revenge, desire, and finally, redemption. But their world won’t tolerate an attorney falling for her client. They’ll need more than lust and forgiveness. They must bridge the chasm of a tormented past to understand who they are today. Only then can they forge a future in the face of the resurging enemy who once tore them apart.

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Libby_Rice_Photo-WebResolution (1)_2BIO
Before becoming a writer, Libby was first a mechanical engineer in the data acquisition industry (voltmeter anyone?). Preferring writing to technical design, Libby headed to law school and eventually practiced patent law for several enterprising years (patent application covering a voltmeter anyone?). Finally realizing that technology just wasn’t her bag, she traded the voltmeters for alpha heroes and the women who love them.

Today, Libby writes contemporary romances from the foot of the Rocky Mountains, where she lives with her husband, a bona fide rocket scientist (he stuck with the voltmeters!). When not writing, Libby loves good food, even better wine, and traveling the world in search of the next great handbag story.

Libby loves hearing from readers! Join the fun at www.libbyrice.com, where you can sign up for Libby’s new-release e-newsletter, or on Facebook, Twitter, Goodreads, and/or Instagram.